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Petersburg from 1909 with the Busoni pupil Maria Barinova and composition with Glazunov, leaving the Saint Petersburg Conservatory in 1913 before graduating.
He became friendly with the Futurist artists and particularly Anna Akhmatova, whose poetry he was among the first to set in 1914.
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As a man of wide culture, who cultivated the image of a dandy and aesthete, in his vocal works he set poems of Sappho, Dante, Pushkin, Mallarmé, Verlaine, Blok, Mayakovsky, T. Eliot, James Joyce, classical Latin and medieval French poets. After the Revolution of 1917 Lourié served under Lunacharsky as head of the music division of the Commissariat of Popular Enlightenment (Narkompros).
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Lourié played an important role in the earliest stages of the organization of Soviet music after the 1917 Revolution but later went into exile.
His music reflects his close connections with the contemporary poets and artists of the Russian Silver Age, and also his close relationship with Igor Stravinsky.